{"id":15549,"date":"2020-06-21T13:37:09","date_gmt":"2020-06-21T21:37:09","guid":{"rendered":"https:\/\/efinalvinyl.com\/cyberSh0p\/?p=15549"},"modified":"2024-07-31T12:38:00","modified_gmt":"2024-07-31T19:38:00","slug":"bootlegs","status":"publish","type":"post","link":"https:\/\/efinalvinyl.com\/cyberSh0p\/2020\/06\/bootlegs\/","title":{"rendered":"Bootlegs"},"content":{"rendered":"<p>So what are \u201cBootlegs\u201d? Back around the late 1960\u2019s a wave of vinyl LP recordings began showing up at local record stores; not the chains like The Wharehouse or even at Tower; but at the small mom &amp; pop indie stores like Village Records in Mill Valley and Rhino Records in West LA.<\/p>\n<p>The LPs typically had plain white covers with crude cover art, usually a heavily-solarized photo of the featured artists with one page inserts printed on both sides, often hand-written &#8211; listing the songs and lyrics.<\/p>\n<div id=\"attachment_9376\" style=\"width: 190px\" class=\"wp-caption alignright\"><a href=\"https:\/\/efinalvinyl.com\/cyberSh0p\/wp-content\/uploads\/2016\/08\/Dylan_TAKRL-Label.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9376\" class=\"size-full wp-image-9376\" src=\"https:\/\/efinalvinyl.com\/cyberSh0p\/wp-content\/uploads\/2016\/08\/Dylan_TAKRL-Label.jpg\" alt=\"TAKRL Side One Label\" width=\"180\" height=\"172\" \/><\/a><p id=\"caption-attachment-9376\" class=\"wp-caption-text\">TAKRL Side One Label<\/p><\/div>\n<p>The record labels themselves were more than often blank with nothing more than a side number printed on them. They were typically referred to as \u201cbootlegs\u201d &#8212; unofficial recordings copied from radio broadcasts or even recorded \u201clive\u201d at a venue by some enterprising thief with a tape recorder and microphone.<\/p>\n<p>There were many such labels, the most famous of them being <a href=\"https:\/\/en.wikipedia.org\/wiki\/The_Amazing_Kornyfone_Record_Label\" target=\"_blank\" rel=\"noopener noreferrer\">The Amazing Kornyphone Record Label (TAKRL)<\/a>; <a href=\"https:\/\/en.wikipedia.org\/wiki\/Trademark_of_Quality\" target=\"_blank\" rel=\"noopener noreferrer\">Trademark of Quality (TMOQ)<\/a>, and <a href=\"http:\/\/www.texaschainsawmassacre.net\/perskin\/jerry\/story\/rubber.html\" target=\"_blank\" rel=\"noopener noreferrer\">Rubber Dubber<\/a> all active from the late 1960\u2019s to the mid 1970\u2019s.<\/p>\n<p>I recall a show we went to back in the mid-1980\u2019s at a converted theatre in LA out on Hollywood Blvd. headlining the <strong>Joe Ely Band<\/strong> fronted by the <em>Texas Twister<\/em> himself. Wherever that band played they left a crater behind, they were that hot. The opening act was <strong>Lone Justice<\/strong> a local \u201ccowpunk&#8221; band, featuring the incomparable <strong>Maria McKee<\/strong> on vocals.<\/p>\n<p>In retrospect, it&#8217;s ironic that both headliners, <strong><a href=\"http:\/\/www.joeely.com\" target=\"_blank\" rel=\"noopener noreferrer\">Joe Ely<\/a><\/strong> and <strong><a href=\"http:\/\/mariamckee.org\" target=\"_blank\" rel=\"noopener noreferrer\">Maria McKee<\/a><\/strong> remain under appreciated even today, when they had such overwhelming talent, media hype, and a loyal following at the time. Listening to their current music still brings chills to my bones and tears to my eyes &#8211; the vagaries of stardom.<\/p>\n<div id=\"attachment_9383\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/efinalvinyl.com\/cyberSh0p\/wp-content\/uploads\/2016\/08\/TMOQ-Label-Orig_CU.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-9383\" class=\"size-medium wp-image-9383\" src=\"https:\/\/efinalvinyl.com\/cyberSh0p\/wp-content\/uploads\/2016\/08\/TMOQ-Label-Orig_CU.jpg\" alt=\"TMOQ Pig Face Label\" width=\"300\" height=\"292\" \/><\/a><p id=\"caption-attachment-9383\" class=\"wp-caption-text\">TMOQ Pig Face Label<\/p><\/div>\n<p>But I digress. The venue was standing room only so I positioned myself stage center in the back of the ballroom floor, festooned in a \u201cCan\u2019t Bust-Em\u201d Willie Nelson shirt, a tan Stetson on my head and my Tony Lama boots. Near the end of the Lone Justice set &#8211; Maria McKee (at 20) belting out the lyric to \u201cDon\u2019t Toss Us Away\u201d &#8211; I just happened to glance over my shoulder. Right behind me, sporting a watch cap that partially covered a set of head phones, and a trench coat that shielded two mini-shotgun mics, stood a scruffily-bearded chap with a large proboscis articulated over an ogre-like grin &#8211; savoring the moment as he captured a bit of musical history. I gave him the once-over then turned my attention back to Ms. McKee\u2019s scintillating contralto. But the image stuck with me &#8212; even decades later. The guy may have been the Rubber Dubber himself or at least someone who took as inspiration that TMOQ &#8220;pig face&#8221; label.<\/p>\n<p>We have many such original LP releases in stock, including the original release on <strong>Lurch Records<\/strong> (a precursor of TMOQ) of the classic Rolling Stones concert recorded in 1971 at the Oakland Coliseum titled <strong><em><a href=\"https:\/\/vb6zhfgc72v.c.updraftclone.com\/cyberSh0p\/product\/rolling-stones-the-live-r-than-youll-ever-be\/?v=2d6331253ba0\" target=\"_blank\" rel=\"noopener noreferrer\">Live\u2019R Than You\u2019ll Ever Be<\/a><\/em><\/strong>.<\/p>\n<p>We also have a copy of the original <em>Zerocks Label<\/em> 1970 release of <strong><em><a href=\"https:\/\/vb6zhfgc72v.c.updraftclone.com\/cyberSh0p\/product\/dylan-bob-zimmerman-looking-back\/?v=2d6331253ba0\" target=\"_blank\" rel=\"noopener noreferrer\">Zimmerman Looking Back<\/a><\/em><\/strong> (see feature image above); a rare double LP of live concerts by Bob Dylan, including the 1966 Royal Albert Hall performances plus performances from the 1966 Adelphi Theatre in Dublin and the 1963 Town Hall appearance &#8211; both mislabeled as being from a Berkeley Community Theatre concert. This one is a must-have for Dylan collectors.<\/p>\n<p>Then there is an original first pressing double LP of a Neil Young performance recorded at the Dorothy Chandler Pavilion in LA on February 1, 1971 titled \u201c<a href=\"https:\/\/vb6zhfgc72v.c.updraftclone.com\/cyberSh0p\/product\/young-neil-im-happy-that-yall-came-down\/?v=2d6331253ba0\" target=\"_blank\" rel=\"noopener noreferrer\">I\u2019m Happy That Y\u2019all Came Down<\/a>\u201d released on Rubber Dubber Records.<\/p>\n<p>Check out these and our inventory of other rare bootlegs from The Beatles, The Stones, Fleetwood Mac, Pink Floyd, Dylan, and others.<\/p>\n<div class=\"pvc_clear\"><\/div>\n<p id=\"pvc_stats_15549\" class=\"pvc_stats all  \" data-element-id=\"15549\" style=\"\"><i class=\"pvc-stats-icon small\" aria-hidden=\"true\"><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"far\" data-icon=\"chart-bar\" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 512 512\" class=\"svg-inline--fa fa-chart-bar fa-w-16 fa-2x\"><path fill=\"currentColor\" d=\"M396.8 352h22.4c6.4 0 12.8-6.4 12.8-12.8V108.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v230.4c0 6.4 6.4 12.8 12.8 12.8zm-192 0h22.4c6.4 0 12.8-6.4 12.8-12.8V140.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v198.4c0 6.4 6.4 12.8 12.8 12.8zm96 0h22.4c6.4 0 12.8-6.4 12.8-12.8V204.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v134.4c0 6.4 6.4 12.8 12.8 12.8zM496 400H48V80c0-8.84-7.16-16-16-16H16C7.16 64 0 71.16 0 80v336c0 17.67 14.33 32 32 32h464c8.84 0 16-7.16 16-16v-16c0-8.84-7.16-16-16-16zm-387.2-48h22.4c6.4 0 12.8-6.4 12.8-12.8v-70.4c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v70.4c0 6.4 6.4 12.8 12.8 12.8z\" class=\"\"><\/path><\/svg><\/i> <img loading=\"lazy\" decoding=\"async\" width=\"16\" height=\"16\" alt=\"Loading\" src=\"https:\/\/efinalvinyl.com\/cyberSh0p\/wp-content\/plugins\/page-views-count\/ajax-loader-2x.gif\" border=0 \/><\/p>\n<div class=\"pvc_clear\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>So what are \u201cBootlegs\u201d? Back around the late 1960\u2019s a wave of vinyl LP recordings began showing up at local record stores; not the chains like The Wharehouse or even at Tower; but at the small mom &amp; pop indie stores like Village Records in Mill Valley and Rhino Records in West LA. The LPs [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9889,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2787],"tags":[2788,2791,2792,2789,2793,2790],"class_list":["post-15549","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-collectors-corner","tag-bootlegs","tag-rubber-dubber","tag-takrl","tag-the-amazing-kornyphone-record-label","tag-tmoq","tag-trademark-of-quality"],"a3_pvc":{"activated":true,"total_views":48,"today_views":0},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Bootlegs - eFinalVinyl.com<\/title>\n<meta name=\"description\" content=\"So what are \u201cBootlegs\u201d? 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